Requirements

Release planning is largely an empirical activity. Capturing the requirements effectively is the first step. Capture the thoughts of product owner or client in a free flow, map them to user journeys and fine grain them to small requirement statements. Each of these granular requirements which can be expressed in a sentence or two will be the basic building blocks of the final product. It is popularly called as stories and getting them right is the first step of a successful release planning.

Visual triaging

sticky-note-681016_1280

Write each of the stories on to index cards or stickies, preferably colour coded based on parent features and put them up on a wall or a large table so that you can see all of them at once. This helps to see the spread of the requirements and allows to dive into deeper details for ambiguous entries.

If the ambiguity does not resolve with deep dives we quickly get the developers to do a spike (proof of concept) to validate our understanding. The proof of concepts have to be very quick but deep enough to provide us an understanding to estimate the effort involved.

Sizing

When talking about sizing, people immediately try to force fit their stories into fibonacci series or arbitrary small, medium, large. Instead we need to create a real world analogy for sizing the stories as mentioned in one of my previous posts. The last few years I have been using Scooter, Car and Bus as my sizing references for stories; and as I expected most of my sizing meetings have shrunk to less than half of what it used to be when using fibonacci or t-shirt sizes. If you have outliers which do not fit in any of the categories we temporarily park that in a trailer or ship category if very large or in bicycle if it is too small. The outliers are revisited and the stories are rewritten to see how they can be fitted into the sizing slots. The very large stories always have been unpredictable and skew the time taken for a point metrics, so we have to break them before the end of the sizing phase.

Velocity estimation

Remove the sizing details from the stories, pick developers in a round robin fashion and let them pick what can be done in five ideal days. That is there are no meetings on that day, no holidays, high availability of all machines and tools, no dependencies.  The developers each should do around 5 iterations of picking stories and the result has to be captured like below.

Developer 1

Week 1 S,S,M
Week 2 S,S,S,S
Week 3 M,M
Week 4 L
Week 5 S,L

Developer 2

Week 1 S,S,S,M
Week 2 M,S,S
Week 3 M,S,M
Week 4 L,S
Week 5 M,M

When we collect all the developers’ estimate and average out, we will be able to come up with the ratio of S,M,L like 1:2:4 , 1:3:7 or anything but not necessarily fibonacci. If we had taken fibonacci there would be too many arguments whether a story is a 2 or 3, but we avoid that argument if we let the velocity estimate give us the ratio. The ratio then becomes the points for a size, if the ratio turns out to be 1:3:7 then our S is 1, M is 3 and L is 7.

Realism infusion

It is not possible to plan for work in ideal days; there will be meetings, holidays, sick time, vacations, down times etc. We need to account for those. If the velocity estimate which we can call it as raw velocity comes out to be 10 points per week then we deduct the appropriate numbers to get a highly probable velocity. Typically this works out to be around 70% of raw velocity but it purely depends on the teams.

Prioritization

Clients will always say that they want all the features they have envisioned, but there are many stories where an app ends up where most of its user use only the 20% of it, the remaining is a long tail with very little returns to the effort involved. The product owner has to come up with the must haves for an initial set of features. There are many popular techniques used, MoSCoW prioritization method is one that is frequently used. If there are many people who will prioritize then each of them should come up with their own priorities and the chief product owner takes a call with a common denominator. The explanation is simple but most of the clients struggle to come up with a prioritized list as the illusion is every thing is a priority.

Sequencing

The stories are sequenced against a weekly timeline put up on the wall or a large table. The stories are then picked up in the order of feasibility with priority given to difficult and important stories. This step will give us lots of options on the number of parallel streams of work that can be run, what are the dependencies between stories, the order in which the features can be completed, the team ramp up and ramp down plans. The kind of mix and match we can do depends on the granularity of the stories and the amount of dependencies between them.

After the last step has gone through few rehashing we will be able to come up with an initial release plan to start with, this plan should always remain as the reference and re-planning has to happen on a monthly or fortnightly basis to keep adapting to the learnings we get as move along. Many people treat the initial release plan as a sacred rigid plan but that was just a guideline to tell us how to approach development. It is a waterfall project if the initial release plan was delivered as is.

Last few years I observed that the biggest of all debates that occur during the course of a project is during the sizing of the stories. Most of the times in the teams I have worked we had fibonacci or t-shirt sizing and sometimes 1,2,4,8. We humans are not so good when we deal with numbers which are closely spaced. T-shirt sizes are also closely spaced S,M,L loosely translates to 38, 40, 42. This leads to people arguing whether some stories is of 2 or 3 points or Small or medium size and gets into tasking and implementation details to get the right size.

sizes

When I was thinking about a better method for sizing, I read in some feed that a person tried to use reptile sizes like gecko, iguana, alligator and komodo. Each different in size and class from the other. I thought, let me also give a try and then came up with Scooter, Car and Bus for the sizes with Bicycle and Trailer as outliers (similar to XS or XL in t-shirt sizes). To my surprise it was too easy for people to slot the stories into one of these sizes and there were very few arguments and a simple task break down of a story gave a picture of the size/complexity.  This worked much better than S,M,L or 1,2,3,5,8.